What makes this all the more impressive is that they are associated with a genre that was widely ridiculed (nu-metal) - indeed NME described 'In The End' as being "another slab of gormless MTV rap-rock from the bottom of the food chain". But ignore the critics and perhaps Linkin Park timed it just right. Along with peers including Limp Bizkit, System Of A Down and Korn, these American bands stepped into the gaping void left by Kurt Cobain's suicide and the resulting death of grunge. This was pre-9/11, but American teenagers were nevertheless angry, and nu-metal allowed them to headbang, and vent their frustrations.
The distinctive piano intro, the rapped verses (with Mike Shinoda rapping in between Chester Bennington's singing), and then the more traditional stadium rock chorus were melded together by Don Gilmore, a virtually unknown producer. He deserves the real credit for 'Hybrid Theory'. Lots of bands were going down the rap/rock crossover in the early part of the decade, and it's not as if it hadn't been done before (see collaborations between Anthrax and Public Enemy, or between Run DMC and Aerosmith). But Gilmore gave Linkin Park a unique style, at the pop end of both the rap and rock spectrum.
Bennington and Shinoda put it best themselves; "I tried so hard, in spite of the way you were mocking me". They were mocked, it's true, but their efforts were rewarded and after 'In The End' they never looked back.
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